THE BEAT on uclick deal

MILE HIGH COMICS presents THE BEAT at COMICON.com: Tokyopop and uclick team

Heidi writes up the second deal for Tokyopop in as many days. All this talk about comics on tiny cell screens makes me yearn for comics on tv! comics on walls! comics on blimps!

Music And Comics: Two Great Tastes That Taste Great Together? | Comixpedia

Music And Comics: Two Great Tastes That Taste Great Together? | Comixpedia

Tym Godek has the beginnings of a thought on the combination of music and comics (in a webcomix format, I assume).

While we all love the cute little bleeps and glurks our computers make while we explore webpages, I wonder how far a musical comic can go before we really do have to consider it more akin to film or video than a novel or short story. Of course, I read many comics as a kid that came with a record and didn't think of them as some new hybrid art form.

Try as they might no one has come up with a clear-cut, irrefutable definition of what "comics" is. The advent of web technology and the possibility of integrating elements such as animation and sound has blurred the picture even more. What is it that makes a comic a comic, and how does the addition of these other elements affect that? Is there something essential to comics that is lost in the attempt to integrate sound?

"Power Records: The action comes alive as you read!"

Smart Panel Developments

The only thing keeping Marvel from becoming the most boring comics publisher in the world is this little tech gimmick:

The Great Curve: Marvel.com adding blogs?: "Additionally, Marvel will be offering a ton of new Digital Comics that can now be viewed on desktops all over the world. Fans can't get enough of the new comic format and are singing the praises of the never-before-seen Smart Panel comic viewer technology. Keep a lookout for new and improved Digital Comics in the coming months. "

Internet Comics=Boring?

itpblog � Blog Archive � Making Comics Boring, One Click at a Time

So why would I want to download a podcasted comic strip, just to click through it, sequentially, one frame at a time?

T Campbell's history of webcomics

Hiedi MacDonald chats about this new book and refers to its legal problems. A history of webcomics? Already?

MILE HIGH COMICS presents THE BEAT at COMICON.com: T Campbell's history of webcomics

Cartoon Mash-ups

Short article about legal backlash against online mash-ups and parodies of comics, animation:

Journal Gazette | 03/05/2006 | Bloggers, tech savvy spin digital remixes of pop culture

Like disc jockeys pairing the Beatles with Jay-Z or The Strokes with Christina Aguilera, visual mashup artists exploit odd juxtapositions. An old “Superfriends” cartoon is synced with dialogue from the cult slacker movie “Office Space.” Scenes from “The Shining” are cut and overdubbed with feel-good narration to make it look like a trailer for a sappy family movie. And is there anything less likely than Mary Worth reciting the lyrics to “My Humps” over coffee?
“It was just sort of the absurdity of marrying this very serious serial strip with that song, which is so ridiculous,” said creator Sue Trowbridge.
Tools of the craft are software such as Adobe Systems Inc.’s Photoshop and Apple Computer Inc.’s Final Cut Pro instead of paint or clay, but fans say it’s still art.
Joey deVilla, a Toronto-based blogger, calls mashups a form of folk art that follows the age-old creative tradition of borrowing from existing works to create something new.
“It is the digital-media equivalent of collage, except instead of pasting together pieces of other people’s existing work you’re pasting together other people’s films and music, “ Lyall-Wilson said in an e-mail.
Jason Schultz of the Electronic Frontier Foundation contends that there should be legal protection for mashups such as “The Shining.” After all, it’s a non-commercial parody that poses no threat to the movie. (Ironically, the clip can be viewed on iFilm.com, a recent addition to the sprawling Viacom media stable.)
“This is a battle over creativity,” Schultz said. “Do we want a world where the law criminalizes that?”
Legal issues aside, putting the brakes on mashup artists might be a job that not even Superman could handle. They’re just so easy to create and circulate, with scores of sites such as YouTube.com devoted to sharing online video.